Drones – or unmanned aerial
vehicles (UAVs) as they are increasingly known – have reached a mass-market
tipping point. You can buy them on the high street for the price of a
smartphone and, despite a large DIY Drone community, the
out-of-the-box versions are pretty extraordinary, fitted with built-in cameras
and “follow me” technology, where your drone will follow you as you walk,
run, surf, or hang-glide. Their usefulness to professional filmmakers has led
to the first New York Drone Film Festival to be held in March 2015.
Technologically speaking, drones'
abilities have all manner of real-world applications. Some of the highlights
from the US$1m prize for the Drones for Good competition include a drone that
delivers a life-ring to those in distress in the water. Swiss company Flyability took
the international prize for Gimball, a drone whose innovative design allows
it to collide into objects without becoming destabilised or
hard-to-control, making it useful in rescue missions in difficult areas.
The winner of the national prize
was a drone that demonstrates the many emerging uses for drones in
conservation. In this case, the Wadi drone can help record and
document the diversity of flora and fauna, providing a rapid way to assess
changes to the environment.
More civilian uses than
military
What does this all mean for how
we think about drones in society? It wasn’t long ago that the word “drones” was
synonymous with death, destruction, and surveillance. Can we expect us all to
have our own personal, wearable drone, as the mini-drone Nixie promises?
Of course the technology continues to advance within a military context, where
drones – not the kind you can pick up, but large, full-scale aircraft – are
serious business. There’s even a space drone, NASA’s Boeing X-37, which spent
several years in automated orbit, while others are in development to help
explore other planets.
There’s no escaping the fact that
drones, like a lot of technology now in the mainstream, have trickled down from
their military origins. There are graffiti drones, drone bands, Star Wars-style
drone racing competitions using virtual reality interfaces, and even theatrical
drone choreography, or beautiful drone sculptures in the sky.
There are a few things about
drones that are extremely exciting – and controversial. The autonomous
capabilities of drones can be breathtaking – witnessing one just fly off at
speed on its own, it feels extremely futuristic. But this is not strictly legal
at present due to associated risks.
A pilot must always have “line of
sight” of the drone and have the capacity to take control. Technically even the
latest drones still require a flight path to be pre-programmed, so the drone
isn’t really making autonomous decisions yet, although the new DJI Inspire is
pretty close. Drone learning has to be the next step in their evolution.
Yet this prospect of artificial
intelligence raises further concerns of control, if a drone could become
intelligent enough to take off, fly and get up to all kinds of mischief, and
locate a power source to re-charge, all without human intervention or
oversight, then where does that leave humanity?

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